so this is what hardcore sounds like: fierce as a sharp knife and melodic like a returning nightmare. the wishmaster makes his first appearance on the third movement with back forever. three outstanding tracks to do the job at hand, an italian hardcore experience to follow! included are get out of my way, no skinny bitches and the title track back forever. all produced to deliver maximum hysteria in the crowds. a down right audio attack by italian hardcore master the wishmaster, it doesnt get any better than this!!

second coming of the mighty turntablerocker on compost black label, this time produced by jochen schmalbach aka smallboy (tiefschwarz). feat vocals by stuttgart based duo manumatei. incl. thumpin remixes by sasse of moodmusic fame...

one of the biggest tracks in 2003, certainly here at syntax, gets a rework courtesy of landshark lance desardi and luke sardello. landshark main mix removes the adam sandler intro, beefs up the beats and adds an extra melody, almost german poptastic, and includes an instrumental. flip for the dub - huge oompty shiznit happenings ! massive wobbly reverb bass and a touch of quirky acid, little telephone ring loops ad shuffled hi-hats. >mix your own temptation<is an acapella with hand claps. icon roll on

very useful iteim for every party ... hands up on the other hand, is the name of a new gadget, comprised of a riband useful for carring water and jacket, leaving your hands free. its desigend for festivals, concerts, clubs and a lot of other circumstances. type: bottel and jacket holder. material: synthwetic leather. printed with teh cool synch festival logo ... really a hot equipment for your next party ... extra tipp

gagarin releases this very special limited edition 7inch golden cap ahead of the forthcoming album adaptogen due for release early 2009. pressed on 40gm vinyl and limited to 250 hand numbered copies this very collectable artefact contains exclusive remixes of two tracks from adaptogen. the up & down mix of golden cap is a glorious journey of melody, rhythm and white noise climbing to a height of 192 metres before falling back to sea level. the stop & search mix of gavvers is a sonic picture of an urban dream full of tension, fear and final escape.

darkos productions have attracted the attention of djs from all over the world. his remix of the title track of nina mirandas (smoke city) album shrift in 2005 was one example, earning him critical acclaim when the remix reached the top 10 in the us download charts. more recently mr rakas has joined darko and his strange worlds collective. together they have embarked on a musical mission, blending deep minimal house and techno with eastern european romani gypsy jazz. simplicity is the operative word best to describe this release. the over sexed sax solo of sexaphone (a one take wonder performed by ben hadwen) takes house music to a new level, whilst danote on the other hand reflects on the hypnotic repetition of the hook, building a solid groove around a repeating synth line, appearing here in two versions, the stripped back extended mix and the more immediate club edit. another great release from the up, coming and one to watch label universal vibes.

2001 techno-stomper by mark broom and dave hill on marco baileys invasion imprint.

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

new dark & doomy material from the hand of mental wreckage presented on the totally restyled symp.tom label!mental wreckage is one of the most talented industrial hardcore producers at the moment

dortmunds very own ‚diskobär, the inimitable ante perry prepares for new double cd long-player extravaganza , flashing disco sounds, with two cuts exclusively produced with close studio comrades tube & berger. these hot co-productions between the long-time buddies simply cannot fail to get the party going. the overwhelming anthemic stir of human you is evident for the very start, but its true dancefloor potential can only be understood after the full ecstatic wonder of the breakdown pours out over a large crowd. super-constructed tech-discohouse is where its at in this high intensity, high drama, big room flashing disco monster. the curiously titled walthervondervogelweide on the other hand is a more brooding beast altogether. working the underlying tension and keeping the pressure tightly locked to the floor its a dangerous late night dancefloor workout... left in the wrong hands this could seriously damage your ability to leave the dancefloor! finally fellow dortmund heavy-calibre producer peter jürgens works his remixing magic and twists human you into a housed up, long building affair that operates on a more stripped, subterranean level to begin with but bursts out above ground with carefully timed energy. warm driving beats and pads layer to reveal the identifying melody of the original.

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings parts…very psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggio…. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

creative spaces next dubstep release comes from the laboratory of threnody, keeping stafford bass heavy!!! for this ep threnody delivers some very unique sounds, with the harder dancefloor destroyers dont give a shit and want you from one hand, to the deep bass travels of warning and the tribal ethnic elements on down low.

quality pumping electro- trancer that drags you to the floor, whilst the flip opts for trippier stabs and groovy sound fx. all new sound from the mysterious harry brown. londons danny dove teams up with ex dab hand richard searle, showing they can all chuck a deadmau5 shape or two themselves

ltd to 250 copies... phat fresh view of detroit minimal techno sound !! docile is proud to present its 17th release to you. docile brings a fresh view of the detroit sound as it strays into territory less traveled. a 4/4 minimalist attitude binds these offbeat works and defines the docile method. our hand extends through sound production to the actual pressing of the vinyl, to ensure a product that is unique in quality. smooth stabs, 2 bit chords, and primitive, rumbling bass through tics and tweaks awakes the knuckle-headed syth-bop shuffle.

these hand-picked tracks are now available on a dj-friendly 2-sided-4-tracks-vinyl-ep and let me tell you, they are well worth the extra investment. the first of the bunch starts off with big man lexys fancy girl, an ever-growing minimal techy peak-time-pusher with a hushed vocal-sample, some anaologue signal sounds and a futuristic and pumping beat. add a great distorted melody to this on the breakdown and the dancefloor will thank you for putting this on: they will go mental! after this introduction, its the newcomers mickey monzza & joseph discos turn with their equally stimulating track lonely. this is a great modern piece of pumping dub techno with a straight-forward attitude. the hi-hats on this tune are mesmerezing, the clappy snares and sirens perfectly placed and the subtle dubby and groovy melody an ideal antithesis to this hectically moving tune. simply nice! but hold on, there is more to come. on the flip there is hamburgs house impressario h.o.s.h. with his track ben johnson and whether this title is a reference to the legendary sportsman or not, its a pretty record-worthy track: wonderful little stabs and vocal sounds and a bassline so warm and groovy it makes your heart melt. then when the breakdown hits you with its long and winding signal sound, the dancefloor will already be bathing in a floor filled with sweet happiness. this is truely delicious! the two newcomers and residents at hive club in zurich animaltrainer have the honour to finish off this ep with their oily tech-house-anthem talkshow, a superb main-floor-peak-time-melody-affair.

after remixing so many famous artists superstars spencer&hill are back with their s&h project on zoogroove, bringing us a storming 3 track ep . you will get punchy house beats combined with sugar sweet vocals or on the other hand club styled electro sounds with overdrived vocals shouts.watch out for the spencer&hill remix on the a side

the 25 year-old montreal native became a dmc world champion in 1997 and has toured with the likes of q-bert and craze until he was hand-picked by kanye west to be his tour dj. a-trak might have been on the scene for 10 years already but somehow it feels like he s only just getting started. kitsune releases now his >say whoa< which features remixes from his friends boys noize and sinden

nobodys bizzness logo shirt ... big hand in front of :)

nobodys bizzness logo shirt ... big hand in front of :)

nobodys bizzness logo shirt ... big hand in front of :)

nobodys bizzness logo shirt ... big hand in front of :)

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

ultra limited (150 copies, hand numbered) one sided special release !!! very expansive price

all god s children is pure deephouse with driving percussion, a classic house groove, lush keyboard work and a bassline that brings you through the night. the bside sports two versions of the track anything is possible. the maison vumbi edit by xaver hinself is very faithful to the original version, which is a disco tainted take on early chicago house, and simply streamlines the track for ideal dancefloor compatibility. the filiberto marmelade remix on the other hand turns the track into a psychedelic piano-house jam with a highly addictive additional hook, a real summer tune..

im reloop backpack finden neben ungefähr 50 vinyls in den fronttaschen auch kopfhörer, systeme, ersatzcrossfader, etc. platz. tragbar auf dem rücken, über die schulter oder wie eine plattentasche in der hand. wenn im dj-rucksack nur wenige platten im hauptfach transportiert werden, kann man ihn kompakt zusammenraffen. das robuste nylongewebe garantiert zudem wetterfestigkeit und ein langes leben.

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

the intention of deep house music as a mixture of vocals and hand played instruments opens up a new series of releases on wild trackin!!

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

four tracks of dark electro by sam lowry (rumours are going that this could be a manasyt alias...) limited to 200 hand numbered copies on clear red vinyl!!

as well as being the first track on the album jim, another day is released as the second single. jim bursts out of the box with a gospel flavour on his lips, testifyin hand claps a plenty and even some ambient birdsong to let you know that summers on its way. lidells got talent to spare, and he obviously knows his soul forbears work intimately. the 12inch includes two energetic mixes of another day from rustie and matthew herbert.

its a quite interesting fact that jean vanesse and tom sohet aka spirit catcher are on the one hand based in belgium but on the other hand they have put out their records on only international labels like 20:20 vision, winding road and mood music. maybe a good questions to ask for. anyway, systematic is more than happy and proud to present you the 45th release produced by the two fellows from brussels. the ep contains three absolutely high quality tracks so that its quite impossible to choose the a side and the b side. so its up to you to decide.

original mad max is an angry club stormer in their known electro-techno fashion. peak time use only! brightness on the other hand is an emotional melodic end of night anthem, perfect for fans of gregor tresher and the like. but hold on to your trousers when you flip over this record, and kyle geiger - from drumcode fame - unleashes his remix qualities.

willkommen zur sechzigsten ausgabe unserer speicher serie. auf der a-seite schaut cocoons toni rios mal wieder vorbei und liefert einen ordentlich >aufgesexten< techhousetrack ab, der irgendwo zwischen chicagohouse, akufen und marc kinchen die neue mitte sucht. pan/tones gastspiel ist ebenfalles sehr gelungen! fette club maxi

experienced producer tom neville, fresh from his remix of beastie boys >intergalactic<, he tries his hand here at some hands in the air electro, this however is no girly affair, with dirty bass lines and a heavy beat, this tune is an all out club stomper. breaking midway into an awesome old skool, acid throwback, staying true to the originals undeniable danceability, sure to work every listener into a dancing frenzy. known for his thumping mixes, tom neville has well and truly done it again

nice price deal !!! deecee is a new comer female-singer form denmark and is produced by a former producer of aycan. walking in the sky is a typical andorfine music hand-up song, which will rock the floors with beautiful vocal-lines and groovy rhythms. 5 different mixes available, including a vendelboe house mix.

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

1984 chicago punk classic back on wax! limited edition hand #d 140g color wax + 2 sided 12x18 full color poster

bmore is hot. between the cult rise of the wire, labels like money studies and flamin hotz and djs like diplo and low budget banging these tracks around the world bmore seems to be everywhere. the question is, where are the classics on wax? baltimore club classics was created to help fill the void. all songs recorded, mixed & produced by dukeyma

the legendary hard knock life longplayer!!! feat memphis bleek, da ranjahz, big jaz, dmx, amil & ja rule, foxy brown, the lox beanie siegel & sauce money, kid capri and jermaine dupri

somewhere between detroit, chicago and bologna, it’s giesing. at least in the geomental cosomos of mr. migumatix, who delivers his debut with the recordings on hand at pastamusik. as a resident dj in various munich clubs he has established himself with his energetic swinging stile as a constant player – and now he shows to be by far more then just another jung producer talent, and this is only the beginning.

funny a side!! the danish scene has evolved a lot over the last years, with acts like trentemøller, martinez and whomadewho. the new label tartelet records is rising from the horizon of the copenhagen club culture. tartelet records is founded by fredski (the man behind the greatest copenhagen parties ) and tomboy (aka tomas barfod, dj, producer and drummer of whomadewho, with previous releases on turbo, kitsuné , get physical and gomma). the two founders themselves are also behind this first tartelet release, which is a true showcase of what the label stands for: tech-house with multiple flavors like ghetto, funk, disco and a bit world. the a-side ‘do the tartelet’ is a schizophrenic yet effect full combination of sampled horn-madness, hand claps and techno bass. on the flip side ‘cereal’ sounds as if james holden and paul jonson were trying to make minimal house together. the future releases from tartelet promise remixes from world-league remixers (tba) and tracks by danish kleshmer-techno-reggae band analogik do the tartelet

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

another killer communication from the popular people’s front sonic manifesto ! this is the second in the best selling labels limited series, reserved for their best kept secrets as always, it’s four tracks of the finest rewired funk and lost classics, tweaked and re-designed for modern dance floors. strictly limited one-off pressing, hand stamped 12 single

swedish maestro tiger stripes delivers an arpeggio house masterpiece, backed by heavy and sublime remixes from frankfurts kings of the deep, motorcitysoul. a producer of eclectic taste demonstrated by output on labels as diverse as defected, southern fried and sonar kollektiv, tiger stripes has turned his hand to cosmic mellifluous house for urbantorque. beach buggy is a track that deserved big remixes, and motorcitysoul show their more than up to the task with three inspired rubs for different moods.

ethereal, sultry aspects of the vocal weave around, slide beneath, blade sharp stabs, crawling bassline, & sparse to frenetic kickdrums. 1 sided in hand stamped!!!

pan-pot’s debut longplayer pan-o-rama turns out to be the gift that just keeps on giving. first there was the lead single >charly>, backed by an infectious remix from lady mobilee herself, anja schneider. now they hand the baton to marco resmann and zander vt, who each perform their own magic on two more killer cuts from the album.

brill freaky and darkish electro album !!!

guy mantzur returns to give a 2nd taste from his studio with aces over kings, while one of germanys most recognizable names,lützenkirchen, lends his expert hand to provide a reinterpretation every bit as remarkable as the original work.+ original mix